A Workshop-Festival of a new kind
Originally Created by Gérard Assayag (IRCAM) and Marc Chemillier (EHESS), Improtech is both a musical festival and an interdisciplinary workshop that brings together actors of research and creation from all over the world around the question of musical improvisation in interaction with digital intelligences, in an assumed approach of human-machine co-creativity.
This unparalleled event, co-organized by Ircam and French and international partners (major universities and research institutions, private and public institutes, art centers, sponsors) has already been held with undeniable success in New York (2012), Philadelphia (2017), Athens (2019) and [Uzeste](https://improtech.ircam.fr/ikuzeste]. Also check the generic Improtech web sitefor concerts and documentaries video archives and much more.
The edition planned for Tokyo in 2021 as part of the Season of France in Japan could not be held because of the pandemic and has been postponed and will take place in 2024.
An explosive alliance between Improvisation and Digital Intelligence
Improtech is dedicated to the explosive alliance between the age-old art of improvisation and the emerging cultures of digital intelligence. It fosters the co-creative dynamics that can exist between humans and machines, and in so doing, creates new meeting grounds between people, artists and audiences of all backgrounds and levels.
Exploring the relationships between music and science, composition and improvisation, writing and performance, music and other performance arts around the argument of shared creativity between human and digital devices, Improtech has established itself as one of the major events of contemporary research and creation.
In the past, Improtech has linked the French research and creation scene to a major foreign city such as New York or Athens, mixing the great masters of the improvised scene with the young artists of the most original underground scenes identified in each of the host cities.
New aesthetic and social patterns
Improtech is a place for the emergence of new aesthetics linked to scientific and technological innovation, and to the way contemporary creators use them to install new social patterns of interaction and communication involving creative algorithms. With each new edition, Improtech allows the actors and the public to judge the great aesthetic, technological and sociological evolutions thanks to the impressive progress of digital intelligence, and in particular of Artificial Intelligence, at the service of the arts.
This is a rare opportunity for intercultural and interdisciplinary encounters at the junction of the arts and sciences between research and creative communities, revealing unique opportunities for new personal and institutional collaborations, to introduce a wide audience to new directions that they suspect but have very little opportunity to discover in a creative and playful setting.
The meeting also allows each time to reveal the eminent position of the chosen city in the history of the improvised scenes, as well as in that of the intercultural relations and hybridizations, even sometimes creolisations. There is little doubt that in terms of dynamism, youthful inspiration, cultural mixes, aesthetic generosity and solidarity, Improtech Paris - Tokyo will be a summit in the Improtech series.
On the Menu
Improtech includes conferences, demonstrations, workshops, musical and multi-art performances (dance, media, mixed realities), installations and concerts bringing together the world's best improvising musicians in selected venues Artists, researchers, thinkers, students, inventors, DYI (Do It Yourself) enthusiasts come to Improtech to present their work, offer demonstrations and performances, and perform on the concert stages. The public meets personalities from major international research centers and remarkable artistic figures from contemporary, jazz, rock, electronic, traditional or underground music scenes. They are introduced to many scientific and technological fields, from computer science to anthropology, from musicology to critical studies, from philosophy to artificial intelligence, from acoustics to mixed realities.
The framework of Improtech
Improtech provides an exceptional platform to challenge and question individual and collective creativity, joining forces in a buzz of experimentation, teaching, performance, and exchange. We witness the emergence of new aesthetics linked to scientific and technological innovation, and the way contemporary creators seize on it to install new social patterns of interaction and communication involving creative algorithms. Improtech capitalizes on each edition and creates its legacy by setting up collaborations between artists and scientists and between various institutions in the partner countries. Experience shows that these collaborations are sustainable beyond the event. For example, the 5-year European research program ERC REACH brings together French, American and Japanese universities that are strongly linked to this event.
An international network of artists and institutions
Improtech has already brought together some of the best improvisers in the world including Evan Parker, George Lewis, Steve Coleman, Bernard Lubat, Roscoe Mitchell, Geri Allen, Raphael Imbert, Vijay Iyer, Sun Ra, Steve Lehman, Rudresh Manhantappa, Bob Ostertag, Jaap Blonk, David Rosenboom, Matmos, Sylvain Luc, D.mHotep, to name a few.
Improtech was made possible thanks to the commitment of ircam, EHESS, the Onassis STEGI Center and the University of Athens, New York University, Columbia University, University of Pennsylvania, Drexel University, Institut Fançais, Sorbonne University, Région Nouvelle Aquitaine, Princeton University, CalArts, Stanford University, Hyvibe Company, Yamaha Disklavier, Université de Bordeaux, FACE, Uzeste Musical and Compagnie Lubat.
Improtech is an ERC REACH action supported by the European Research Council within the Horizon 2020 program (Convention No. 883313).
The ImproTech Series History
In 2004 was held at ircam, during the 1st Sound and Music Computing Conference, a workshop on Improvisation and the Computer, that gathered the cream of musicians and researchers operating in the field. The event was a great success and it had a strong impact on the public, the musical scene - and on Ircam as well, by introducing there, for the first time at the highest level, improvisation as a major research topic and a respected field of investigation. Above all, it was a wonderful opportunity to share an exceptional artistic and scientific moment. A trace of this moment is the DVD Contact that captures the performance by David Wessel and Roscoe Mitchell, a founding member of the Art Ensemble of Chicago.
In 2012, the idea of renewing the experience came up, this time in NYC, where many of the former participants came from, emerged more than once in passionate discussions about the present state of Improvisation involving digital technologies and media. The ImproTech Paris - NYC 2012 workshop, sponsored by a Research Grant from the National Research Agency for the Improtech project (PI Marc Chemillier), was dedicated to the exploration of contemporary bounds between musical improvisation and intelligent digital technologies. Gathering researchers and artists from both research & creation scenes, it favored the idea of using digital intelligence as a source of inspired and sophisticated creation, in a complex, creative interaction of machines with live musicians, as opposed to mere decorative electonic effects. With such venues as NYU, Columbia University and The Roulette concert hall, IK Paris-NY featured improvisation world stars s.a. Geri Allen, Steve Coleman, Roscoe Mitchell, Vijay Iyer or Bernard Lubat.
Five years later in 2017 it was time to renew with the ImproTech workshop - festival formula, and measure the technological, aesthetical, and sociological evolutions since the last gathering. The meeting place was this time in Philadelphia which seemed a natural destination after NYC, for its unique improvised music scene and history, and its perpetual enchantment with the ever floating figures of e.g. Coltrane, Sun Ra, or McCoy Tyner. ImproTech Paris - Philly took place at the University of Pennsylvania from Dec. 11 to Dec. 13 2017, with concerts at The Rotunda and the Annenberg Center, and musical events at the ICA. Scholars, students, musicians, makers came from many places in europe and the US to talk about their work, demo, teach and perform. IK Paris-Philly flourished on the explosive encounter of prominent research labs and scholars, well established musical figures of Jazz and contemporary music, and the young avant-garde / underground scene of Philadelphia and surroundings. It was sponsored by an ANR research grant for the project DYCI2 (PI Gérard Assayag).
Improtech 2019 gathered scholars, researchers, musicians, makers, around the idea of musical improvisation in interaction with digital intelligence, taking note of the important development of this new creative field. ikPA'19 created a link between the european and worlwide research and creation scenes through the symbolic matching of Paris, where the event originated at Ircam, and an other emblematic city. This year Paris connected with Athens, in a powerful arc between science and the art of improvisation, after the Paris - Philadelphia edition last year, and the Paris - New-york edition a few years ago...
Improtech 2023 took place from August 11 to 13, 2023 in Uzeste, the beautiful Gascon village where the mythical Hestajada de las arts takes place, the music festival founded by Bernard Lubat, with which Improtech was associated this year. What's more, it wasthe tenth anniversary (postponed until this year) of Improtech's creation in NYC in 2012. This year, Joëlle Léandre, Evan Parker, Benoit Delbecq, Jozef Dumoulin, Jaap Blonk, Justin Vali, Jean-Marc Montera, Rob Frye, Maciek Lasserre, Gaston Bandimic, André Minvielle, Bernard Lubat, Sylvain Luc, Nurith Aviv, Mari Kimura, Gyorgy Kurtag, Hervé Sellin, Benny Sluchin and many others offered a dazzling stage! And the party continued with the Hestajada from Monday August 14 to the 19th.
